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The comic-book world's most famous female superhero finally gets her own movie – and it's an action-packed belter
Before seeing Wonder Woman, I got a sinking feeling. It’s been more than a decade since a woman headlining a superhero film saved the world. I had visions of middle-aged male studio execs huddled together in a conference room Googling feminism and group-thinking how to make a lady-hero. Would the result feel like a two-and-a-half-hour tampon advert? Actually, no. Wonder Woman feels like the real deal, a rollicking action adventure in the tradition of Indiana Jones, with a fully functioning sense of humour and the year’s most lip-smackingly evil baddie.
It has a wobbly opening on a women-only island where hot chicks in fabulous Ancient Greek sandals appear to have wondered in from a Dolce & Gabbana ad campaign. This is Themyscira where the Amazon tribe have lived in peace for thousands of years. Actress and former Miss Israel Gal Gadot (Gisele in the Fast & Furious franchise) is their princess, Diana (Wonder Woman), who was sculpted from clay and brought to life by Zeus. The island’s tranquillity is broken by the arrival of a cocky American soldier played by Star Trek actor Chris Pine, who is adorable. He knows he’s here as eye-candy and does smoking-hot sexy sidekick with a good sense of humour.
The plot is functional. It’s World War One and Pine is an American spy who has discovered that evil German chemist Dr Maru (Elena Anaya) – aka Doctor Poison – is cooking up a dirty bomb to wipe out Allied soldiers on the Front. Wonder Woman volunteers to save humankind, strapping on her bullet-repelling bracelets and truth lasso.
Unlike Batman, Wonder Woman is not plagued by doomy angst. She’s good and kind, with a strong moral compass. A complex female character? Not exactly. But Gadot (who is ex-army and knows her way round a fight sequence) never lets her become bland and simpering. Though she is very nearly outstaged by Anaya as Doctor Poison: with her mask and haunted expression that suggests a twisted, blackened soul, they should hire Anaya for the next Bond film.
So this is an origin story – set yonks before last summer’s Batman v Superman, in which Gadot made her Wonder Woman debut. It’s also a million miles from the moody dull-fest of Batman v Superman. Director Patty Jenkins lets the sunshine in. The showdown punch-up at the end drags a little, but the whole thing is carried along by charm and humour. The fish-out-of-water scenes as Wonder Woman arrives on Earth are hilarious. In London, she asks Pine’s loyal personal assistant what a secretary does. She’s horrified by the answer: ‘Where I’m from that’s called slavery.’ This really is Wonder Woman coming to the rescue of the DC Comics universe.